Elements of Hip Hop Theater Part 3
What makes a work of theater a work of hip hop theater is the question we have been considering in the last two blogs, based on a proposed definition. Last week’s blog asked if a hip hop work must include all elements of hip hop hop, and if it does, is that sufficient?
This week’s blog looks at who gets to make hip hop theater.
Can anyone create Hip Hop theatre, or must the creative people involved belong to the culture that gave rise to hip hop?
In short, is it a work by black people for black people only?
Who Gets to Create Hip Hop Theater?
A work of theater is one of the most collaborative art forms. It requires participation by individuals over and above the creatives.. For example, a sound technician who makes sure an actor can be heard is not a creative but is essential to the overall effect.
So are the producers and investors make the show happen.
Does everyone involved have to be black?
I was thinking about the musical, IN DAHOMEY. It was the first Broadway show written by blacks with an all black cast. Is it a hip hop theater piece?
We would welcome your thoughts.
Next week’s blog will attempt to give our answer to the question.
Our book suggestion for this blog is Black Theatre, Ritual Performance in the African Diaspora edited by Paul Carter Harrison, Victor Leo Walker II, and Gus Edwards.
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