Producers are the Shell

Producers are the Shell

The Story of the Slave

 

I’m reading Ta-Nehisi Coates new novel, The Water Dancer. It begins with a quote from Frederick Douglass. “My part has been to tell the story of the slave. The story of the master never wanted for narrators “.

The reason for the existence of Rhymes Over Beats could not be better put. We are about telling the seldom told story.

Other kinds of stories have never wanted for tellers.

I’m often asked why, me being an older white guy, why am I doing this. But if I were to start a company devoted to the works of Shakespeare or Shaw, no one would say, ‘you’re not British, why would you have a company dedicated to a British playwright?’ No one would ever ask why another Shakespeare company.

 

Why a Hip Hop Theater Collective?

 

People ask this question because what we are doing is unusual. Our goal is to make these kind of stories, using the hip hop aesthetic, usual.

Stories are seldom told because they are not considered worth telling. In the case of the stories we want to tell, we don’t agree with this assessment. And we’ll keep doing it until no one asks why anymore.

Our idea is to assemble hip hop artists and theater artists who are inspired by hip hop, to collaborate and create work.

Rhymes Over Beats provides the shell so things can grow protected.

In order to tell a story theatrically, first you need the story, the actors, and the director. These elements are the beginning. To finish it you need a producer to provide the money and the organization. The producer members are the shell.

 

Are You On Board?

 

If you agree with what we are doing, join us. Donate at our website. Follow us on social media. Come see our productions.

We Are Pavel

We Are Pavel

Who is Pavel Ustinov?

 

Making theater is what we do. But sometimes we have to do more.

There was an article this week in the newspaper about a Russian actor, Pavel Ustinov, who was tried and convicted for assaulting a police officer on August 3 at a demonstration in Moscow. He was tried and convicted even though there was a video that showed him walking along minding his own business during the demonstration, talking on his phone to someone, when he was jumped by four police officers in riot gear who beat him and dragged him away.

The judge wouldn’t allow the video to be shown in court.

 

What’s Up With That?

 

The national media ignored the story, but it didn’t go away. People who knew of the situation were outraged.

His friend, actor Aleksandr Pal, started a social media campaign to right the injustice. Other actors joined in posting “I/We are Pavel Ustinov” on their social media. Several Moscow theaters made statements of support at the end of their shows. Nikita Kukushkin, an actor with an avant guarde theater troupe, urged fellow actors to boycott government projects.

So far Mr. Ustinov is still in prison, but the fight to free him goes on.

 

Could It Happen Here?

 

People who work in the entertainment industry have internationally recognized names and faces.

They have access to media outlets that everyday people don’t.

THIS IS POWER, and sometimes, as in the case of Mr. Ustinov, it needs to be exercised.

 

I/We are Pavel Ustinov.

 

UPDATE:

Pavel Ustinov was released from prison on Friday.

Our art CAN change the world, and our ACTIONS can change the world!

We Want You

We Want You

How Can We Connect?

 

I’ve been thinking about the Rhymes Over Beats platform. That is to say, our visibility – how our audience learns about us, how we connect with them, and how we can make it easier for them to connect with us.

How we go about creating a community of interest in hip hop theater, and what we could be doing better.

I know that when our Public Enemy documentary “When Reagan Killed Roosevelt” is released, when the play Sonny’s Song opens, and after the musical Masta Ace is writing with us is finished, we’ll be quite visible.

But what more can we do before then?

Right now we have a website plus our Instagram, Facebook, and Twitter pages, which are regularly updated. I write this blog weekly, and we’re developing a YouTube channel.

Is this enough? I’m not sure.

 

What Else?

 

What else should we be doing?

We are hoping because we are connected to you here, right now, that you could help us.

  • How did you find out about us?
  • Have you seen any of our productions?
  • Is the website easy to navigate?
  • Is there any information on the website that is missing?
  • Anything you wanted to know, but couldn’t find it?

 Let us know. Shoot me an email at Patrickrobad@gmail.com.

  • Is there a social media site we should have a presence on, other than Facebook, Twitter, Instagram and YouTube?
  • We regularly use the hashtags #hiphop #hiphoptheater #offbroadway and #blacktwitter. Are there other hashtags we should be using? 

 

#Talk to Me.

 

We want to hear from you.

How can we make this easy for you?

Grateful to Be in Theatre?

Grateful to Be in Theatre?

 A Life in Theater

 

The inspiration for this blog came from a column in the San Francisco Chronicle by Lily Janiak, called “Theater workers, let’s reject ‘happy just to be here’”

There is an idea that people involved in theater should be grateful that that they are allowed to be  involved in theater at all. That it is a privilege to be involved. So we work long hours for not much money, primarily in not for profit organizations.

The question is, why is this a prevailing belief?

 

You Can’t Make a Living, But…

 

The first answer is an old joke. “You can’t make a living in theater, but you can make a killing.”

If you have written a play, or have performed on Broadway to sell-out audiences, you have the potential of making three million a year. Three million a year! There are very few careers where this is a real possibility. Theatre is one.

Another reason for staying in theatre is that theatre offers psychic benefits lacking in most jobs. A life in the theater is never dull. And there is that chance for fame – to inspire and to have the admiration of total strangers.

Finally, there is the ability to make a difference. To make the world better, one person at a time.

How many times have you heard people say that a piece of theater changed their life?

 

Should You Be Grateful?

 

All these things are true. But are they enough to say that people in theater ought to feel grateful?

If you are rich, famous, and making the world a better place, then the answer is yes.

If you’re not? I can only say, ask me that question when I am. 🙂

A Place 4 Seeing New Work

A Place 4 Seeing New Work

What About the Actors?

 

As a hip hop theater collective, we want to create programs for all of our members.

Some we have already done. We’ve started the writer residency program RAP, which is designed for playwrights, beat makers and MCs.

We have done productions such as last years’ My Father’s Daughter by Ursula Rucker, and the upcoming Sonny’s Song by Germono Toussaint. These productions use the talents of our producers and directors.

What we don’t have at the moment is a program to use our actor members to develop new work.

Since we want to use the talents of ALL of our members, what we have in mind is something along the lines of A Chorus Line. However, instead of dancers talking about the difficulties they face, our show would be about the experience of being black and the modern struggles that face our community, possibly told within the context of another storytelling or historical genre.

 

A Theater is a Place of Seeing

 

From the earliest time, theatre has been about ways of seeing other perspectives differently. The very word ‘theater’ is derived from the Greek word theatron, meaning the “place of seeing” – where the audience sits to see the narrative unfold onstage.

An audience gathers to see stories of fallible human beings, much like themselves, try to work out their struggles and succeed. They want to see people triumph, to be inspired, to have their faith in humanity restored, to understand and experience different human stories and live vicariously through them. Audiences want to be changed, because they were able to live a different life for a brief hour and a half.

What would you like to show onstage? What issues do you face? Whatever story it is, it can be told onstage, and explored in the hands of talented actors.

Our actor ensemble will determine what the work will ultimately be.

Are you ready to get down and create?

 

Are You An Actor?

 

To do this we need your help. If you are an actor and want to participate, let us know asap.

Sometime in the next few months we will make an announcement about the details on our social media. We plan on getting a rehearsal room ready, stocking it with food and beverages, and just let happen what happens.

Hopefully we will come out of the room with something really exciting.

Sound interesting?  If you’re an actor and want to be a part of this, hit us up.

Soon.