Why ‘Rhymes Over Beats’?

Why ‘Rhymes Over Beats’?

What’s Up With Our Name?

 

We are hip hop theater.

When we were coming up with names that would describe our collective, the hip hop part was comparatively easy.

Hip hop consists of four elements: a DJ, an MC, a break dancer, and graffiti artist. Because our focus is on performing, we decided to emphasize the performance elements – DJs and MCs. I know dance is performance, but we thought calling ourselves a crew would give the mistaken impression that we are all or only about dance. We’re not.

What does an MC do? They create rhymes. What does a DJ do? Create the beats that the MC’s rhymes flow on top of.

Rhymes Over Beats.

 

What About the Theatre Part?

 

We had a way of identifying ourselves as a hip hop theater collective, but the theater connection in the name was rather tenuous. We needed to strengthen it somehow, within our name, so people would realize that we were a hip hop theatre company.

So we decided to start to look back to the beginning of theater – back to it’s ancient origins.

Western European theater began with the Greeks. The function of the Greek chorus, in the earliest plays, were to comment in verse on the main action of the plot accompanied by music and percussion instruments. Music and rhythm were played under their spoken rhymes. Homeric poems also were believed to be performed this way.

This sounds very much like today’s hip hop.

 

It’s Not Just the Greeks

 

Greek drama was not the only tradition that uses spoken lyrics backed by instruments to tell stories. In Western Africa, Girot poets still  chant their stories backed by stringed instruments (ngoni and Kora) and percussion instruments (Belafon).

Hip hop theater is the descendant of two traditions of storytelling, both European and African. Rhymes Over Beats is as much how theatre was done at the beginning of history as it is today.

We are not creating something new – instead, we are returning back to our roots.

That’s why we are Rhymes Over Beats.

 

Out and About

Out and About

What Have You Seen Recently?

 

One of the most important things we do as a company is go out and see things. There is a lot of good work out there, and lots of great venues as well as productions.

We can’t do everything, but we can tell you about worthwhile work if we see it.

 

Last week we went to one space and one reading…

 

The space is the Nuyorican Poets Café. It has been around in one space or another since the early seventies.

Originally it was all poetry slams and spoken word performance, but they are now also involved in presenting works of “theater theater.”

We recently went to the Nuyorican Poets Café short play and monologue festival – 20 short plays and monologues presented over two weekends. If you didn’t check out their program you missed some great work.

The reading was at The Players Club. Normally this space is restricted to members and their guests only, but occasionally there are public readings. The one we saw is called “My Story, My Voice” by Ivy Omere. Please remember the play and the artist because we think you will hear a great deal from her in the not-too-distant future.

 

Our Associate Artistic Director is Directing on Theater Row

 

Finally we can’t let the opportunity to go by with out mentioning two projects directed by our Associate Artistic Director Cate Cammarata, at the Broadway Bound Theater Festival on Theater Row 42nd St., NYC.

They are:

  •  JUST OUTSIDE THE DOOR by Esteban Alvarez III. A desperate grandson kidnaps his dying Abuela in order to save her, but must learn to cope with depression, grief, and self-acceptance before it is too late.
  • ROOMMATES by Darcy Cagen. Two elderly women are forced to share a room in a nursing home but their past lives and present outlooks are as different as night and day.

Whatever you do in the upcoming week we hope it includes some theater. 🙂

Men in Gray

Men in Gray

A Cold Day

 

One of the highlights, so far, of my career in producing theater was my involvement in the play The Exonerated. In it there is a scene where Dilbert Tibbs talks about imagining you’re locked up and every day a man in a gray suit comes in and beats you. After a while you will have a thing about men in gray suits.

The full import of this didn’t register with me until recently. The store where I buy my groceries in San Francisco is on the top of a hill, always cold, foggy, and sometimes windy.

This day I got to the bus bench, with the cold wind really blowing. I thought about where the warmest place to be was, sitting on the bench or standing behind one of the plexiglass panels. I sat down on the bench. A man sitting at the other end of the bench gave me an angry look.

He said, “I know why you did that.”

I asked, “did what”?

“Hesitate about sitting down. You did it because I’m black”.

I tried to explain that I was just deciding where it would be warmer, but he didn’t believe me. I didn’t think that telling him some of my best friends were black would help so I just shut up.

 

Overreacting?

 

All the while I’m thinking, “Talk about overreacting!”

It was only until I was retelling this story that I realized that I was his man in a gray suit.

I began to consider what must have happened to him in his life, so that just by my hesitating about sitting next to him made him decide I was racist.

This is the kind of experience I can’t even imagine. And I’m afraid it is all too common in a society where some people feel comfortable telling people born in America to go back where they came from.

 

What Color is Your Suit?

 

I will never again think someone is overreacting.

Neither should you.

Think instead that to them you might just look, act, sound like a man in a gray suit.

It’s All About the Houses

It’s All About the Houses

Why Are We Talking About Houses?

 

There are thousands of plays and hip hop musicals which could be written, that Rhymes Over Beats would want to produce, that would interest our audience based on subject matter. Unjust conviction is just one of these subjects.

In this blog, and every once in a while in future blogs, I’ll discuss some of these subjects, in hopes that it will inspire a hip hop artist or playwright to produce some new work about it.

But this week’s subject is really about money.

Not salary money, or ‘hit my numbers in lotto’ money, but ‘building intergenerational wealth’ money.

 

Where Does Wealth Come From?

 

Imagine you are in your twenties and you want to buy a house. Not in a great neighborhood, but not in a terrible one either. You can’t afford the down payment. Fortunately though, your parents can. They loan it to you, and because they’re your parents, it’s interest free.

So, in 1980 you buy a $12,500 house. You pay your bills and go on vacation every year. You don’t get rich, but you’re not in debt. Fast-forward until  you are ready to retire. That three bedroom two bath house that seemed too small when the kids were growing up now seems too big. When you decide to put it on the market you’re pleased to discover that it is now worth $400,000.

Now, imagine your best friend from high school. He didn’t buy a house.  He had no parents with a house whose equity let them lend a down payment to him. At retirement he has nothing to pass along to his kids. You have $400,000.

For most people this is the major way wealth is created.

 

And the Rich Get Richer…

 

Now just imagine that the first situation is the result of governmental action. The government decides who benefits by deciding that the people who receive this substantial gift of money are not taxed. Now the government is perpetuating the system.

There is a gap between the rich and the poor. Every year it gets bigger.

There need to be plays written that to help reverse the trend. Any ideas? Please consider writing them and let us know.

Tell stories about the way things are to raise awareness.

Write stories about the way you want it to be to change the story.

 

 

 

Race and Social Justice

Race and Social Justice

A few years ago my wife and I went to Ireland for vacation. It was our first time over there and it was great. I can’t wait to go back.

We had a wonderful time, especially in Galway where my family is from. One thing that I noticed was how often people stopped us and asked for directions. This happened with enough frequency that I was curious. So, the next person who stopped me and asked for directions, I asked them why they asked me. They all said it was because I looked Irish.

 

Hard to Tell….

 

One of issues that Rhymes Over Beats is passionate about is unjust convictions due to misidentification.

According to data assembled by The Innocence Project, 70% of the people who were ultimately exonerated were convicted because of misidentification.

42% of the time it was racial. A person from one race misidentifies a person of another race.

I have no data to back this up, but I’m willing to bet that if a black person were asked to describe another black person they would say something like ‘they were light skinned,’ or ‘they were very dark.’ A white person would just say they were black. And if a black person were asked to describe me, they wouldn’t exactly call me ‘the Irish guy.’

The inability to recognize that cross-racial identification is not reliable leads to unnecessary convictions. It is demonstrated by the large number of exonerations where the reason for the conviction is a mistaken eyewitness identification of a person by a person of another race.

 

These are Our Stories

 

This is why it is one of the issues dealt with in the plot of a hip hop musical Freedom that Rhymes Over Beats is developing.

In the musical, the white witness only sees black. Initially she identifies a black police detective as the criminal; later she identifies the next black person she sees – a person the audience knows is innocent.

Dry statistics don’t change people’s hearts. Put a face on those statistics and tell a story around a person’s experience. Allow other people to feel how they feel.

This is what the art of theater does.

Join us. Create work with us that will help people when they are sitting on a jury to give the proper weight to cross-racial identification.

Help us prevent more innocent people from being unjustly convicted.

 

*NOTE: Patrick Blake was one of the lead producers for the Off-Broadway show The Exonerated that when on tour influenced the state of Illinois to vote against the death penalty.

Leschea Show

Leschea Show

Leschea Show

Rhymes Over Beats is part theater and part hip hop.

Two weeks ago Cate Cammarata, our Associate Artistic Director who is solidly on the theater side, and I  attended the LMDA conference in Chicago.

This week Donna Hart, our Marketing Manager who is solidly on the hip hop side, went to a studio in an undisclosed location to tape Leschea Show (not “The Leschea Show,” since I got yelled at when I called it that). It is a program that celebrates all things hip hop: the culture, its  accomplishments, and the participants.

Hip hop is the primary form of artistic expression around the world, in music, in dance, in fashion. But not in theater.

Why is that?

 

It’s Our Mission to Put Hip Hop in Theater

 

Because our mission is to change this and to make hip hop a dominant form of theatrical expression, Leschea thought we would make a great interview on her show. You’ll have to wait until this episode of the show airs, though, to see if she was right.

We’ll announce the air date here and on our social media when we know it.

Until then, I want to emphasize again some points that were made on the show:

  • From the 1920’s to the 1960’s, popular music and theater music were the same. In the ’60’s they split apart. We now have the opportunity to reunite them, which we can and should.
  • Hip hop deals with important social issues. Hip hop theater will do the same for a new audience.
  • We are part of the hip hop community. In order to succeed, we need the support of the community. Thank you, Leschea, for adding your voice to ours.

 

Do You Have a Hip Hop Program?

 

We are doing our best to get the word out about hip hop theater, and its importance. We want to be on as many hip hop programs as possible.

If anyone has a suggestion for media, we would love to ask to appear on air. Please let us know what shows you think we should be on, and contact us.

Spread the word!