Our Stories Become Our Culture

Our Stories Become Our Culture

What Stories Do You Tell?

 

The tag line of the original production of the musical HAMILTON was, “Who lives, who dies, who tells your story?”

I was reminded of this as we enter a major holiday period. Which holidays that you celebrate tell your story?

This is why there are Thanksgiving decorations all over the place, and the day itself is a national holiday. This is a function of numerical superiority: the more people there are to tell the story, the more entrenched in the culture the story becomes.

 

Let’s Share More Diverse Stories

 

In the United States this means that Thanksgiving is celebrated with Pilgrims having a higher pride of place than indigenous peoples. It means that Christmas is celebrated rather than Hanukkah, Kwanzaa, or the Winter Solstice – and our New Year begins on January first, not in February.(like Chinese New Year).

This will continue to happen unless some of us who are in the majority insist that other people’s stories be told alongside our own.

The reason Rhymes Over Beats exists is to help tell the stories for communities that do not have a numerical superiority in the culture.

We are here to help tell those stories.

Please join with us. Bring us your stories, and on #GivingTuesday (or any day) support our work whenever and however you can

Music Doesn’t Live in Silos

Music Doesn’t Live in Silos

Why Hip Hop Music in Theater?

 

I am often asked, “Why use hip hop music in theater? What is wrong with the music written by the wonderful composers in years gone by? Take composers like Richard Rodgers or Frederick Loewe, for instance. Why can’t hip hop writers write like them?”

My response has been to point out that a similar question could be posed to someone like Jerome Kern. Why couldn’t he write more like Rudolph Friml?

 

 

You Do You

 

Now, thanks to an interview with Lin-Manuel Miranda just published in The Hollywood Reporter for November 16, 2021, I have an even better response.

Miranda, now directing a film of Jonathan Larson’s called  tick, tick…BOOM had this to say:

“The thing that Jonathan Larson did very consciously as a songwriter — which I picked up and continue to do — was not to segregate his musical theater tastes from his music tastes…He really wanted to thread the needle of a satisfying evening at the theater that you wouldn’t be ashamed to pump out of your car radio. I was very conscious of doing that when I started writing musical theater, too, because I thought he was right — particularly in terms of the hip-hop and Latin music and music I grew up listening to. I don’t believe music lives in a silo. We silo things to make sense of them, but music transcends all of that.”

Hip hop artists write musicals using hip hop music because they do not believe “music lives in a silo.”

Don’t you agree?

Hip Hop Theater Artists

Hip Hop Theater Artists

We Are Hip Hop Theater 

 

Rhymes Over Beats is about hip hop theater. We are one of the few theater companies or individuals who have this focus.

On the hip hop side, most hip hop artists don’t know about or care about theater. But every day I see more and more people being interested in who we are and what we do.

On the theater side, more theater artists care about hip hop than hip hop artists care about theater. That number is growing as younger artists take the place or older artists.

 

We Are Artists

 

Rhymes Over Beats encourages this trend. We want hip hop theater to become the dominate form of theater.

When we see an artist combining hip hop and theater, especially a person of influence and accomplishment, we want to do all we can to support and promote them. Such a person is Nicole Hodges Persley, an associate professor at the University of Kansas, who just put out a book called Sampling and Remixing Blackness in Hip Hop Theater and Performance. I’m not going to lie, this is an expensive, dense, academic text. But, if you want to learn more about hip hop theater, it is worth buying.

And if you do, please let her know that you bought the book because you heard about it on our website.

Spread the word!

 

Broadway’s Back

Broadway’s Back

And Pat’s Back too!

 

It’s been a while since I’ve had the opportunity to write a blog. Big things have been happening with Rhymes Over Beats that distracted me from writing a regular blog post. What they are will be the subject of upcoming blogs.

The blog for this week is about positive changes in the direction of theater in America.

 

Seven New Plays by Black Playwrights on Broadway

 

For the first time in history, seven new plays by black playwrights will be making their debuts on Broadway. The plays are:

  1. Pass Over by Antoinette Chinonye Nwandu
  2. Lackawanna Blues by Ruben Santiago-Hudson
  3. Chicken & Biscuits by Douglas Lyons
  4. Thoughts of a Colored Man by Keenan Scott II
  5. Trouble in Mind by Alice Childress
  6. Clyde’s by Lynn Nottage
  7. Skeleton Crew by Dominique Morisseau

 

Please, if you are in or planning to visit NYC, go see each and everyone of these productions. These productions made it to Broadway not only because they are good plays, but also because they had support from the community.

With individual show budgets in the millions, a producer needs many high net worth individuals to invest in a show to make it happen.

One of the exciting recent developments is the increasing monetary support of shows by black playwrights.

If you are a high net worth individual we would encourage you to become a Broadway investor.

If you are one who made your money by writing, producing, or performing hip hop, we would especially encourage you to join with us and make hip hop the dominate form of the Broadway musical.

 

Things Are Happening

Things Are Happening

More Applause for a New Deal

 

Last week’s post was about a new initiative by The John Gore Organization and The Black Theatre Coalition to increase the participation in theater by people of color. Finally, focus was put on a side of theater seldom thought about: the business side. These are excellent first steps and we’re all looking forward to the changes that they will to accomplish.

A few days later I read about another exciting development. More than a first step, the agreement reached by Black Theatre United and various Broadway stakeholders is a potential game changer.

The Broadway stakeholders include; The Broadway League (organization of Broadway producers), Actor’s Equity (the  actor’s union) and the three major theater owners (the Shubert, Jujamcyn, and Nederlander Organizations.)

 

Focus on Black Theater Professionals

 

The agreement stresses that these parties have a commitment to advance issues of equity, diversity, inclusion, accessibility, and belonging, with a focus on black theater professionals.

One change already in the works will include the Shubert and the Nederlander Organizations joining the Jujamcyns in naming one of their theaters after an important black theater individual. Since there is already a playwright (the August Wilson Theater), Rhymes Over Beats suggests one theater be named after a director (Phylicia Rashad), and the other after an actor (Ira Aldridge).

This is only a potential game changer because there are still important pieces missing:

  • First, of all the major theatrical unions, only one has announced participation. All of them need to agree.
  • Second, it is an agreement only with Broadway producers. Off-Broadway producers and the LORT theaters (League of Regional Theaters), which encompass the rest of American theater, also need to come on board.

 

Rhymes Over Beats has since its founding endorsed every goal of this agreement and fully supports them.

Join with us to make these goals a reality in our industry.

 

Applause for a New Initiative

Applause for a New Initiative

New Fellowships Announced

 

One of the first things I do when I get up in the morning is to check the theater message boards. I especially like one called “All That Chat.”

I was so surprised and pleased to read a recent announcement about new fellowships by the Black Theatre Coalition and the John Gore Organization .

The initiative by Black Theatre Coalition and the John Gore Organization will, according to the press release, “provide ten paid part-time fellowships across the United States with specific training in areas of Marketing, PR, Sales, Programming, Accounting and Finance, Operations, Venue Management and Ticketing.”

Rhymes Over Beats applauds this initiative. Since our founding seven years ago, our goal has been to increase the representation of BIPOC individuals in all levels of our productions, not just on stage but also back stage and front of house. We have, for example, primarily used black PR firms for both of our Off-Broadway productions.

 

More BIPOC Theatermakers Increases Diversity

 

In the past in order to accomplish our goal (of hiring BIPOC theatermakers) we had to conduct a targeted search. We are very excited that there is now an initiative that will provide a pool of people to choose from.

To paraphrase what Victor Laszlo said to Rick Blaine in Casablanca – welcome back to the the fight.