Where’s the Beef?

Where’s the Beef?

We are a Hip Hop  Theater Collective

 

What does that mean, other than just developing new works of theater that celebrates the hip hop culture?

That part is obvious. We’re also more on theater side than the hip hop side.

 

Something’s Still Missing…

 

I keep feeling that there is something we should be doing on the hip hop side.

Something that has been missing up to now. Something that is unique to hip hop. Something that we should be doing but aren’t.

Then it occurred to me. Everyone in hip hop has had a beef with someone else.

Some are legendary.

Except us. We don’t have a beef with anyone.

You see, we are nice people. Smart people, but nice people. We like almost everyone.

We probably even like people we shouldn’t.

But here’s the thing: we can’t be so nice anymore.

We need to start a beef with somebody. Anybody.

 

Where’s the Beef?

 

The question is, how do we go about having a beef? And who do we have one with?

The “how” is an easier question to answer than “who”.

If we wrote music all we’d need to do is to pick someone out that we don’t like, and write a diss track about them. A negative comment about a significant female person in their life, or how they don’t write their own material.

But here’s the thing: we’re not musical artists.

We don’t write diss tracks, we write plays. So, should we should be writing diss plays? Ten minute plays about how horrible the object of our beef is?

That answers the how question. To answer the who question, we need your ideas. We need your suggestions.

 

So What Do You Think?

 

Who should our first beef should be with?

Please give us your thoughts. We want to get busy hating. 

 

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You Got Stories?

You Got Stories?

Today I got a call from a playwright who had been referred by a producer friend. He had written a play my producer friend thought I’d like. The playwright called to make sure that it would be something, in terms of theme and subject matter, that I’d be interested in doing. This was exactly what he should have done. I’m looking forward to reading it.

 

I started thinking that I have not specifically spelled out the stories we are looking for when we ask Playwrights to send us their stories. I hope this blog clarifies things.

 

I don’t want to give instructions like I did in the blogs on how to increase the chances of production. What I’m writing here are more in the line of direction signs.

 

The first direction to go in is subject matter. We are a hip hop theater collective. We help tell hip hop stories. So if your story is about how your childhood was messed up because your parents only had day help, not live in help, we are probably not the company for you. Hip hop is a reaction to a culture of oppression. Stories of the toll this oppression takes on the spirit is exactly the kind we want.

Hip hop theater does not require these kind of stories, look at Hamilton. They are just the ones we feel like telling.

 

You had to overcome being educated in a substandard school? You had to shop in a grocery with poor selection, low quality food that was overpriced? You had to get up before dawn to take a bus for hours upstate to see an incarcerated parent or sibling?

 

These are the stories we want to help you tell.

 

If the direction you want to go in to tell your story is a musical format all the music need not be rap. Hamilton is not all rap. The music can’t be all theater music either. There needs to be a healthy mix.

 

The final direction is how the work is marketed. In traditional theater the playwright is separate from the marketing. Because we intend to market using social media almost exclusively, we expect you to participate in the effort. You’ll need to use your social media to promote the show.

 

Those are the directions. What are you waiting for? Send us your stories.